Raiders of the Lost Ark

Synopsis in 3 sentences or less:

Indiana Jones tries to find the Ark of the Covenant before the Nazis do. 

Memorable Quote:
Snakes, why did it have to be snakes.  ~Indy

Highlight:
The map room scene with John Williams's amazing theme. Powerful stuff.

Lowlight:

The implication behind the conversation when Indy sees Marion for the first time:

• I learned to hate you in the last ten years.  ~Marion
• I never meant to hurt you.  ~Indy
• I was a child. I was in love. It was wrong and you knew it.  ~Marion

I know what you're thinking, that it's a little weird that she says she was a child, but that's just a figure of speech, right?  Let's ask George Lucas, whose thoughts were preserved in a transcript of a brainstorming session he had with Steven Spielberg and Lawrence Kasdan in 1978:

• We have to get them cemented into a very strong relationship. A bond.  ~Lucas
• I like it if they already had a relationship at one point. Because then you don't have to build it.  ~Kasdan
• I was thinking that this old guy could have been his mentor. He could have known this little girl when she was just a kid. Had an affair with her when she was eleven ???!!!!!!??????!!!  ~Lucas (I added the extra punctuation)
• And he was forty-two.  ~Kasdan
• He hasn't seen her in twelve years. Now she's twenty-two. It's a real strange relationship.  ~Lucas

I'm speechless. Apparently the script had Marion at 15 and Indy at 25 when they first met rather than 11 and 42, but that's still statutory rape. 

Most interesting piece of IMDB trivia:
When Brody first goes to Indy's house to discuss the mission, Jones is dressed the way he is because he is entertaining a young woman in his bedroom. The script originally planned to show her before moving to the next scene, to give Indy a more worldly persona (like James Bond). However, her appearance was cut, as Steven Spielberg thought that being a playboy did not fit Indy's character.

Other thoughts, observations, and questions I didn’t ask when I was in fourth grade:

• Paramount Pictures: the same studio that gave us MacGyver and Mission Impossible. Consider me on Team Paramount. 
• Vic Tablian plays Barranca (the guy dressed in white who pulls a gun on Indy) and the monkey man later in the movie, and he played Demetrios in Young Indy's My First Adventure and Spring Break Adventure. Alfred Molina plays Satipo, and I know him from Maverick and Chocolat. I'm not sure why Indy has Satipo along -- he doesn't seem to add any value. 
• Where did the boulder end up going?
• Notice the plane's tail letters: "OB - CPO", as in Obi-Wan Kenobi and C3PO.
• Indy is surprised to see the snake in the plane (Reggie), but wouldn't he have seen it before, assuming he was on the same plane on the way down?
• Great opening that's simple, gritty, and reveals everything we need to know about the character: his rough edge, his daring, the costume, the whip, the fear of snakes, the theme song, and his relationship to Belloq. 
• It's clear right from the beginning that Harrison Ford is the perfect choice to play Indiana Jones. With all due respect to Tom Selleck and anyone else that was considered, no one else could have done what Ford does with this character. 
• Now we move to the classroom and see Professor Jones, and his nerdy, clumsy demeanor is a sharp contrast to his macho persona from the previous scene. 
• I like how a student leaves an apple on Indy's desk and then Marcus picks it up, brushes it off, and puts it in his pocket. 
• Marcus says, "I'm sure everything you do for the museum conforms to the international treaty for the protection of antiquities." Uh, what?  Indiana Jones might have a lot of good qualities, but he wasn't conforming to any academic standards when he went into the Peruvian temple to steal a gold icon from the natives while making no effort to research the site or do any historic preservation. Lucas makes it clear in the transcript I mentioned earlier that Indy has a bit of a dark side and is not a by-the-book archaeologist:
• He is an archeologist and an anthropologist. A Ph.D. He's a doctor, he's a college professor. What happened is, he's also a sort of rough and tumble guy. But he got involved in going in and getting antiquities. Sort of searching out antiquities. And it became a very lucrative profession so he, rather than be an archeologist, he bacame sort of an outlaw archeologist. He really started being a grave robber, for hire, is what it really came down to. And the museums would hire him to steal things out of tombs and stuff. Or, locate them. In the archeology circles he knows everybody, so he's sort of like a private detective grave robber. A museum will give him an assignment... A bounty hunter.
• Watching this movie and Last Crusade as a kid legitimately made me want to work as an archaeologist when I grew up where I would hunt for treasures and pledge loyalty to a museum that would receive all my findings.
• Why couldn't Professor Abner Ravenwood be in a young Indy episode when he's at the U. of Chicago? 
• Indy asks if the college museum can have the ark when he finds it, and Marcus says yes. Imagine being a small college museum: "Here we have some old coins, there's some ancient pottery, over here is the Ark of the Covenant..."
• My second favorite scene is where Indy and Marcus are explaining what the ark is to the two Army Intelligence officers in the college's great hall.  The dialogue and acting is excellent, and I just enjoy it, especially when Indy opens the book (is it a bible?) and shows the army guys the picture of the ark and we hear the ark theme. 
• Interesting that Indy is described as an "expert on the occult" while also being completely dismissive of "magic, superstitious, hocus pocus."
• According to the Indiana Jones wiki, Marshall College is in Connecticut, but Indy's plane is shown taking off from San Francisco. 
• Toht, the nefarious Nazi, is on Indy's flight from San Francisco. On such a long flight on a small plane with several layovers, wouldn't everyone on the plane have spoken to each other at some point?  That would have been a fun deleted scene where the plane stops to refuel in the Philippines and Toht fakes an American accent while making small talk with Indy. 
• The Marion drinking scene is reminiscent of MacGyver-Eye of Osiris, as noted by me in my Eye of Osiris review. 
• An incredible entrance by Ronald Lacey as Arnold Toht, a great villain who doesn't get enough screen time.  "We...are....not thirsty!" 
• It's nice to see Sallah as more intelligent than in The Last Crusade, where he's kind of a buffoon. I'm a little confused about why they say he's been hired about the Germans -- is that because he was forced to or because he's acting as a double agent?
• Great blasé facial expression from Ford as he shoots the swordsman. Supposedly there was going to be a more elaborate fight scene, but Ford had dysentery during filming and suggested a quick resolution because he was uncomfortable. 
• Some good dialogue between Indy and Belloq in the bar, though I wonder why they wouldn't kill him there or try to get the headpiece out of him. I guess as my mom would say, then there wouldn't be a movie. 
• There's quite a bit of important screen time for the monkey.
• I've always been a bit bothered by Indy's transparency and lack of discretion while digging out the Well of Souls. He seems to think he and his small digging team can operate completely out in the open (and on top of a hill, no less) while surrounded by tons of Nazis. Not that there's an easy way to be discrete about it, but still.
• It's crazy the lengths that the production team went to in filming the snakes, some of which is recounted in the IMDB trivia. For all that I complain about the use of CGI in movies of today, I understand why someone would choose CGI over bringing in thousands (repeat: thousands) of real snakes.
• Where does the kerosene bucket and pump come from in the Well of Souls?
• When Indy and Marion exit the Well of Souls, there's a brief shot of a guy sitting there kind of slumped over -- is he dead, or taking a nap?  Also, shouldn't the exterior where they exited have been a clue to the Nazis that something was in there when they were first looking for the ark?
• I'm not normally someone who pays much attention to costuming, but the default Indiana Jones costume is spectacular. It just looks so freakin' cool, worn, and comfortable. Apparently it was modeled after Charlton Heston's costume in Secret of the Incas. 
• The truck action scene is outstanding, though I wonder why the Nazis didn't just shoot the truck tires. 
• Indy doesn't have his fedora when he swims to the sub. I guess he must have found a way to contact the sub when he got back to the States and asked them to send his hat back. 
• As you know, I'm not a huge fan of magic in tv/movies, and so I don't care for the ending where the ark melts everyone's face and burns them with fire lasers. The ark is good at cleaning up, too, because there's not a trace of any Nazi bodies when it's all said and done. 
• When the bureaucrat condescendingly says "Top men", Indy should slap him. 
• Well done on the box scene at the end. I'd say that we'll see the box again in Crystal Skull, but I'm still pretending that movie doesn't exist. 

Final Analysis:

Obviously it's a groundbreaking, transcendent movie. My impression is that the majority of moviegoers and critics feel like it's the best Indy movie, but I see it as a notch below and as laying the foundation for the next two, which are two of the best movies of all time. I don't mean to put this movie down, though -- it's a great one. The plot is the epitome of high concept -- as you can see above, I completely summarized the movie in 14 words. I also love the high stakes, which Marcus Brody establishes when he says, "An army which carries the ark before it is invincible."

I'll say it again: Harrison Ford is beyond perfect for this part. His look, his voice, his attitude, his sensitivity -- we're talking about a once in a generation combination. Much like RDA, he's basically playing himself, whether it's as Indiana Jones, Han Solo, Witness, Air Force One, The Fugitive, Patriot Games, etc. But that's not a criticism, given that "himself" is a pretty cool dude and someone we love to see in movies.

Young Indiana Jones -- Episode 22: Hollywood Follies

To Watch: Click Here

Synopsis in 3 sentences or less:

Indiana Jones gets a job in Hollywood to make sure that a perfectionistic director gets his film done by its deadline. Then, he works as another director's assistant on a Western and finds himself on screen after several stunt men get injured and an actor dies. 

Memorable Quote:
It's no life for a woman, sharing a bed with a man and his mummy.  ~Harry Carey

Highlight:
I like the mood of the scenes where the actors and the cowboys hang out at night around the campfire and tell stories -- looks like fun.

Lowlight:

Indy's moral compass goes south when he takes the drunk Italian prince into Mexico and abandons him with no passport.

Brushes with historical figures:

• George Gershwin (second appearance)
• Carl Laemmle
• Isadore Bernstein
• Irving Thalberg
• Erich von Stroheim
• Jack Ford
• Harry Carey
• Wyatt Earp

Other thoughts, observations, and questions I didn’t ask when I was in fourth grade:

• 5:25 mark -- what an amazing train!  Shouldn't we have better trains now than they did 100 years ago? 
• Apparently Foolish Wives was a real movie and is described by wikipedia as an "erotic silent drama film." Sounds like a real hoot. 
• 57:44 -- for being a young writer trying to make it in the industry, Claire has a very nice beach house. 
• 1:04:50 -- director Ford stops the caravan to shoot a scene with the dramatic sunset, but that wouldn't translate in a black and white movie, right?
• The scene with the burning cabin looks a little bit like Vazquez Rocks from the MacGyver Location Adventure. 
• 1:12:05 - I think this is the first time in Young Indy that his fear of snakes is mentioned. 
• The horse and wagon stunt is reminiscent of Raiders where he crawls underneath the truck. 

Final Analysis:

Overall a good episode. I liked the second half better than the first, and it was cool how they mixed in some black and white footage of the "finished product" during the Western scenes. Ranking it 6th out of 22.

Final Series Analysis:
Most of these episodes I watched for the first time, and I hardly remembered anything about the ones that I had seen previously. Let's start with the pros of the series:

• A production value that was second to none. Lucasfilm has cash, and they weren't afraid to spend it while filming on location all over the world with top-notch cinematography. I'm not a tv historian, but I can't imagine there were too many other network tv shows that filmed in as many exotic locations as this one.
• The war scenes are likely the best and most elaborate to ever appear on network tv. 
• Sean Patrick Flanery is an excellent actor, and he brought a high degree of likability and charisma to this role. His softer, more sensitive character isn't really in keeping with Harrison Ford's more macho, edgier portrayal, something that we see in the Last Crusade where River Phoenix portrays young Indy with an edge. But I don't fault Flanery for his interpretation. 
• The guest star list is incredible: Daniel Craig, Elizabeth Hurley, Catherine Zeta-Jones, Jeffrey Wright, Vanessa Redgrave, Max von Sydow, Anne Heche, and Christopher Lee, among others.
• They found a way to get Harrison Ford involved. Kudos.  

Now, let's move to the cons:

• Not enough adventure. That's an understatement, so I'll say it again: NOT EVEN REMOTELY CLOSE TO ENOUGH ADVENTURE!  I love history, more so than probably 95% of the population, but even I thought there was way too much emphasis on placing Indy in historical situations with every single famous person from the 1910s. That emphasis is evident in the DVD set where there are hour-long documentaries that accompany each episode and explain the historical references in great detail. It's as if the production team (or maybe just George Lucas) was more interested in giving the audience a history lesson rather than making some exciting stories. And as I said, I love history and I love Indiana Jones, but even I thought that the history was too much. With the budget they had, they could have had some amazing adventure set pieces, and there should have been plot line after plot line of "Indy finds a treasure and is chased by a lot of bad guys" instead of "Indy dates multiple women while being a stage manager for a Broadway play" (and that was one of the better episodes). 
• To continue on that point, the episodes with nine year-old Indy are practically unwatchable given their glacial pace. As older Indy would say, "They belong in a museum."
• I'm not a Remy fan -- I just find him annoying. 
• The war episodes go on for too long.
• Not enough references to Indy characteristics, such as the whip, fear of snakes, and the map screenshots when he travels. Instead of meeting with some obscure 20th century writer that 99% of the audience has never heard of, why couldn't he have had some interactions with a young Belloq or a young Lao Che?

So there you go.  I'm glad I watched it, but I'm also glad to be done with the kid stuff, because it's time to get serious and move to the movies. Fortune and glory await. 

Young Indiana Jones -- Episode 21: Scandal of 1920

To Watch: Click Here

Synopsis in 3 sentences or less:

While Indiana Jones is in New York, George Gershwin gets him a job as a stage manager of a Broadway play. In his spare time, he dates three women who are unaware of each other: a singer in the play, an intellectual poet, and a wealthy socialite. 

Memorable Quote:
That's right, son. I've got a feeling that this is gonna be a night to remember.  ~Mr. Schuyler
You're right, sir. It's gonna be a night to remember.  ~Indy

Highlight:
The performance at the end where Indy is frantically running around is very funny and well done.  In particular, I liked the part where he was rope swinging above the theater to get to the chimp, although it was unclear why a chimp was hanging out on the set unsupervised.

Lowlight:
It was a little strange that they brought back Hemingway to just sit in the audience for about 15 seconds of screen time. Instead, they should have brought back Amy from Winds of Change to be a 4th love interest, since she was supposedly in New York.  

Brushes with historical figures:

• Sidney Bechet (second appearance)
• George Gershwin
• Ted Lewis
• Irving Berlin
• George White
• Ann Pennington
• Franklin Adams
• Dorothy Parker
• Harold Ross
• Edna Ferber
• Beatrice Kaufman
• Robert Benchley
• George Kaufman
• Ernest Hemingway (third appearance)

Other thoughts, observations, and questions I didn’t ask when I was in fourth grade:

• It's not clear why Indy is in New York -- perhaps he is on summer break from school, but shouldn't he be going on an archaeological dig or something?
• I would never have recognized Anne Heche if I hadn't seen her name in the credits. The only other thing I've seen her in is 6 Days Seven Nights (opposite Harrison Ford) where she had short, blond hair, in contrast to her long, black hair in this episode. 
• Gershwin is the man -- I have his piano rolls CD (which is genius) and the 30-page sheet music to Rhapsody in Blue (which is iconic, and which I'm listening to right now).  Total stud.
• By the way, I only made it to page 4 of the sheet music. Gotta keep practicing! 
• 27:22 mark -- did they have neon signs to that extent in 1920? I don't believe so. 
• I like the guy who plays Mr. White -- he seems like a true New Yorker (just googled him and he is from New York).
• They were either digging really deep for the historical figures in this episode (most of whom I've never heard of), or maybe I'm just an uneducated bumpkin. 
• According to IMDB, Linda Rondstadt did the singing for Peggy.
• Clever ending as the ladies see each other in the bathroom and recognize something of theirs, and then it's easy to see what's coming as Indy gets his head pushed in the cake, la mordida style. 

Final Analysis:

This is a very good episode -- funny, good music, well-acted, and a great ending.  Ranking it 3rd out of 21.